Stephanie Damoff
Cycles
Media: Boston Ivy and Iris Paper Pulp
Statement:
Cycles uses shaped Boston ivy that dried and fell from the back of my building in the autumn. I selectively dipped the completed structure in iris paper pulp, made from harvesting my iris leaves as the plants began to go dormant.
Transcendence
Media: Cattail, corn, pigmented cattail, and bird netting
Statement:
Transcendence is an elegant wall piece composed of paper pulp from kitchen scraps (corn husks) and garden waste (cattail weeded from a friend’s pond) and discarded bird netting (formerly used to protect the rooftop grapes from birds and raccoons).
Urge
Media: cotton/abaca pulp, cotton pulp paint, purged journal pages, metallic leaf, and bird netting
Statement:
Cotton/abaca pulp, cotton pulp paints, purged journal pages, metallic leaf, and bird netting combine in a riot of color and text fragments.
Biography
Stephanie Damoff is a papermaker and photographer. She is interested in the world—both the mundane and the natural world—and in transforming how we perceive the world. She does this literally by transforming found objects into paper and sculptures and through the compositions of her camera lens.
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